San manual bank robbery

The tutorial will walk you through the beginning steps of building a model and giving attributes to the adversary, with the end goal of running a simulation of an attack on the bank.

The tutorial uses an insider threat a compromised teller and a con artist as two adversaries. The first two models deal with the insider threat attack, while the final model incorporates the con-artist attack vector. This is a very simple example meant to get your feet wet, and the values have been selected to ensure that you can see some results in the simulation.

You now have a reward model for your ADVISE atomic model that measures the state of each knowledge item and goal at 5-time-unit intervals. This should give you a rough view of how the adversary will progress through the model.

Because the chance that the success outcome will be chosen in the "Impersonate Customer To Obtain Money" step is a uniform 0. The values then proceed to increase over time as the adversary is given additional chances to perform that step if they fail on initial attempts. The model you just created contains two pieces of knowledge, two attack steps, and a goal. This simple model is intended to demonstrate how knowledge is acquired and goals are achieved by the adversary in performing attack steps.

The model is executed by considering the available attack steps steps with preconditions that evaluate to true in the model and choosing the most attractive step to take based on the interests of the adversary. Since there is only a single outcome, in the WDAI step, it is chosen, and the adversary gains the "Customer Information" knowledge. Now, there is a chance that this attempt will fail or succeed based on which of the two outcomes is chosen.

In the event that the step fails, the state doesn't change, and the attacker will try again. If the attacker succeeds, the "Money" goal is attained, and the attacker will perform the DN step from that point forward. It is important to recognize that the determination of the most attractive attack steps is deterministic based on state.

The stochasticity of the model comes from the selection of outcomes when an attack step is attempted. A common problem people run into when creating their own models is that the attacker reaches a point often at the beginning at which it determines that the most attractive step is the "Do Nothing" step.

Once the attacker has chosen the "Do Nothing" step assuming that the "Do Nothing" step does not change the state , the attacker will always choose the "Do Nothing" step. The Mammoth Police Department has hired three new police officers. They are Steve Nash not the basketball player , Jerry Locke […]. The two bank robbery suspects were taken into custody without incident.

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The mob found Davis and the money and temporarily gave up the chase. The money was returned to the bank. Estimates were made that there were at least bullet holes in the bank, a number which many thought too low.

Besides the two police officers, there had been six townspeople wounded in the shootout, but no one was sure whether the robbers or the mob was responsible.

Davis died that night at a Fort Worth hospital. The robbers abandoned the bullet-ridden car and the two girls several miles from town and continued on foot.

They stole another car the next morning and managed to evade the search parties for a while, until they wrecked the car near Putnam. They commandeered a vehicle driven by Carl Wylie, forcing him to drive and taking him hostage for twenty-four hours. They then let Wylie have his car back and stole another car. The two wounded men, especially Ratliff, were doing very poorly due to their wounds, lack of food, and the icy, sleeting conditions.

Another car chase followed, with a shootout in a field as the three tried to make their escape. Cy Bradford, a Texas Ranger , was involved in the firefight, and it is rumored that he hit all three men. Ratliff was hit and fell to the ground. Helms and Hill were both wounded, but they managed to escape into the woods. Several days later, after dodging an intense manhunt assisted by an airplane, the two made it into Graham and were taken into custody by lawmen without a fight.

Two more men had been wounded in the manhunt from accidental discharge of their weapons, bringing the total number of wounded to eight, excluding the three surviving robbers. Helms, Hill, and Ratliff had several wounds apiece and had not eaten for days. All survived however, and soon faced trials. Hill pleaded guilty to armed robbery, took the stand on his own behalf, and in March was sentenced to 99 years in prison.

He escaped from prison three times but was recaptured each time. After settling down, he was paroled in the mids, changed his name, and became a productive citizen.

Which is a satisfying result—pulling off one of the greatest heists in history and walking away with millions. But isn't there something special about the credit, the recognition warranted by a genius scheme of this magnitude?

Beto thinks for a second, and his eyes—so blue that a witness recalled them vividly at the trial, even though he'd worn a mask—light up. Beto sold the rights to his name to the producers who made the film and he visited the set a few times.

He pulls out his phone to show me a photo. It's of him, dressed for a small but important role—as the cop who pulls over the actor playing Beto, who in the movie version is definitely making a run for it with his mistress. But it's not just the fame. He's proud of the robbery. Beto rubs his head. Sometime after Luis Vitette, the Man in the Gray Suit, was tried and sent to prison, his lawyers took advantage of a legal loophole.

He was not an Argentine national and thus was eligible to have his sentence cut in half, provided he left the country and never came back. So in , Vitette was deported to Uruguay, having served only four years behind bars. Vitette is standing outside the store as I arrive, and he closes his shop to give us privacy.

The gang's most dynamic member has been out of jail for six years now, which has been the longest period of sustained freedom he's enjoyed since he was a teenager.

The life of crime just sucked him in, Vitette says, and he got stuck in a cycle of stealing to support his lavish habits, then getting locked up, then starting all over again.

Before computers, cops never connected his crimes. Jail stints were short. But when digital records arrived, he adapted. At the jewelry store, live footage from four different security cameras plays on a computer screen as we talk.

Remember, I'm a thief. Vitette has mixed emotions about getting caught. Obviously the point of a robbery is to get away with it. So the outcome, in that sense, was bad. But bad things can become good. Argentines now come by his shop to take photos. Sometimes they buy jewelry. This very afternoon he is scheduled to talk to the editor who will publish his book. Yes, another book. And, to him, every version so far is wrong.

Or least embellished. Vitette has given many interviews and spread his legend proudly. But here's the thing, he tells me: It wasn't really him. The persona—the guy from the interviews—that's the Man in the Gray Suit. He was created for cops and the media. Vitette has some things to tell us: He did not take acting classes, nor did he put coins in his mouth. It's impossible. It's the Man in the Gray Suit's truth. He still dresses immaculately and has lost weight, so his other old nickname, Gordo, no longer applies.

He insisted we meet on campus, during lunch, and that I wear something that made it clear I was a journalist. Vitette had wanted him there, he says, because of his experience. But Araujo wanted him to be the driver. He could have sat there and waited for hours, he says, for days. Bolster says that this heist changed the way that Argentine police respond to robberies.

Cops now question whether what's happening is actually what it seems. When the gang divvied up the loot, the shares were not all entirely equal. Bolster, Beto, Vitette, and Araujo all got more or less the same—likely millions each.

This was prearranged, and no one was upset about it. He had a feeling he was screwed. But he got in his car anyway. The moment he pulled out of his driveway, cops descended. He'd been here before. Professors sometimes ask for photos, which is awkward. Why, he wonders, do people care so much for these stories? Why are even law-school professors attracted to criminals? I'm not interested in what the others do—like films or books.

A thief with standards, who steals with dignity and honor. The Engineer got the shortest sentence, and he served just 25 months. He was always coy about it. The statute of limitations has expired, which is one reason Bolster is opening up. I can't collaborate on the film until I say it was me. Bolster was a customer at the branch before the robbery. He says that this heist changed the way that Argentine police respond to robberies. Now they carry tunnel maps and look for every possible point of access, he says—above the ground or below it.

He still talks to his old friend Araujo; their relationship endures. But he's not in touch with the others. Araujo has respected Bolster's desire to remain quiet. The film that Araujo is making, he says, is much more exciting than what actually happened. It's more dramatic and features a thrilling climax.

That's very confusing. I know it's wrong to steal. But they congratulate me. What had always appealed to him about Araujo's plan was the challenge of it.

What I can't justify—and didn't contemplate—is what it did to my family. Bolster says his family was horrified, and then humiliated. A normal family. It changed my life. For six months after prison, he says, he was depressed. It was difficult to even go outside. Bolster says he earned a kind of absolution that, he admits, surprised him. When he was planning things, Fernando Araujo called his scheme the Donatello Project—but not because of the Renaissance artist.

Because of the Teenage Mutant Ninja Turtles, which are green like his beloved cannabis, practice martial arts, and take huge risks.

Also, they move around under cities using tunnels, which they access via manholes. He shows me that tattoo, and many others, late one night in the kitchen of his one-bedroom apartment, which is illuminated entirely with blue lights. Araujo sits on a counter, smoking a cigarette.

He has shaggy dark hair with frosted portions and wears loose green track pants. The clock on his microwave is 5 hours 32 minutes fast. He has just returned from the set of El Robo del Siglo, directed by one of Argentina's best-known directors and based in part on a script Araujo worked on for four years.

He wrote two versions of a script himself, and then, when producers bought the rights, they hired two screenwriters to move it forward. Vitette couldn't appear, because he'd been deported from Argentina, but Araujo proposed at least including his voice, as a newscaster or something. The Man in the Gray Suit declined. That reminds me, I tell him, of what Vitette said to me—that the legend of the Man in the Gray Suit is, at least in part, a lie.

That he did not take acting classes or talk with coins in his mouth. Araujo listens intently, then nods. The movie, Araujo admits, takes some liberties to dramatize the events: The true story had no real climax.